A SPRINGBOARD
FOR SCRIPT WRITERS
how ink works with writers
Short plays are terrific calling cards for new writers. They don’t overburden or inhibit in the way that larger stage, radio and screen projects can. We can’t tell you what to write or how to write but key highlights are that we produce more new plays than any other platform and support writers with our free scriptwriting courses, available both online and in person.
These workshops are conducted by skilled mentors who have proven records in the industry. The classes are specially designed to encourage brand new writers, or improve the skills of writers who have already had some experience. A handful of these scripts usually go on to be showcased at the festival as rehearsed readings. The occasional gem gets the full production treatment.
INK has also formed an exciting three-year partnership with Criterion New Writing in the West End which hosts highly prized opportunities for emerging playwrights to make their mark in London
Upcoming writers’ workshops
feedback
“The course content and exercises were great and kept me engaged and very happily writing. Most importantly for me, it helped me realise that although I’m only beginning my playwriting journey, I’m finally on the right path, no matter how it turns out.”
Workshop Attendee
“New writing platforms are the lifeblood of theatre, and INK sets the standard.”
Writer
A FEW TIPS FOR WRITING INK PLAYS
Over the course of nine festivals we have marvelled at the flexibility of the short play format. The only rule we insist on is that short plays should remain exactly that: short.
The majority of plays we stage fall shy of twenty minutes and can be as short as four minutes. Plays can have any number of parts but be aware that each venue hosts a mini ensemble of actors — usually between three and five actors — so having large numbers of characters on stage at any one time is extremely problematic. There are no hard and fast rules how to write an INK play. At various times throughout the year we publish tips from trusted writers.
Here are a few pointers from Steve Waters, Professor of Scriptwriting, School of Literature, Drama and Creative Writing, UEA:
It’s a moment not a story Cut to the chase
No more than 3 voices, preferably less
Character not concept One small shift or change
No exposition Be playful Invite laughter
Submissions
Whether you're a first time writer or a seasoned pro, we want to hear from you. INK celebrates diverse voices and fresh ideas. We welcome scripts from writers of all ages and all levels of experience. The submissions portal for plays at INK Festival 2026 will open in Spring 2025. To be alerted to important dates around the submission window and upcoming workshops sign up to our newsletter.
